The avenue is simple, and all directions are quiet.
Simple Platonic form space, a centripetal space volume, interpreted in a minimalist way. With fresh, pure, simple and healthy white as the main color of the space, there are also different expression levels, adding novelty in the sense of form and changes in light and shadow. The façade adopts a large area of blank art, framed by three or five window scenes, seeking to be ethereal, and to complement the virtual and the real, to achieve the artistic realm of “no painting is a wonderful world”, so simple is a huge shock and endless aftertaste.
The fulcrum of the stairs with herringbone structure is not deliberately artificial. It is based on people as the starting point and focuses on practicality. By inspiring the interspersed, deformed and restored geometric figures, it reshapes the spatial connection relationship and strengthens the modern concept of volume. The horizontal and vertical windows borrow the scenery, the space is dislocated, and the light is refined, the scenery is integrated, the virtual and the real, complement each other. Go up the stairs and enter the exhibition hall, still continuing the humanistic concept, realizing the flexibility and adaptability of space division, combining the display function, guiding the moving line, the horizontal and vertical spaces are unfolded in sequence, and the near, medium and long-term perspectives evolve each other, attracting their own light and shadow. , showing multiple feelings and exchanges.
